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Showing posts with label park painting. Show all posts
Showing posts with label park painting. Show all posts

Thursday, August 22, 2013

Watercolor Child Portrait Process in Progress

Oops! I got so absorbed in painting today, that I forgot to take a photo during much of the process!
 
To see the earliest stages of this painting
 
 
 
Today, I worked on layering more color on the stone to give it depth, darkened the inside of the fountain, and started the scrollwork under it. In creating the copper on the rim of the fountain, I started with a pale coppery color and will build it up later.
 
When I paint, I try not to go into an area that is still wet, since it can make what's called "blossoms." Sometimes you want this type of unpredictable pattern, but for most of my painting here, I want to control the flow of the paint. So while the paint is drying in one area, I'll work on another.
 
Now for the hair. The initial yellow was just to give me a sense of where the hair was and approximate color. What I did now was to lighten the yellow by using a moistened brush and lifting and blotting the color until it was a very pale yellow. Next, I mixed light shades of brown to start giving some texture to the hair. It is not done yet, but I will leave it for now.
 
Next, the arms. Using rose, yellow and a bit of blue, I laid in the colors at the sides of the arms to start giving a roundness to them. Not done yet.
 
Looking at the tiles, I saw that they still needed toning down so that they will not be the focal point of the painting and pull the eye away from the boy. I used a combination of colors to create a black wash that I put over the tiles, as well as darken the metal grate under the boy's feet.
 
 
 To create the folds on the boy's jeans, I focused on created the shapes of dark and light colors. That's enough for one day!

 
 
 

Wednesday, August 21, 2013

Child Portrait Watercolor Painting Process and Techniques - Continued

Now we're well into the UGLY stage!
I keep my reference photo handy to check to see if the shapes and placements are accurate.

 
I started to put the scrollwork under the fountain and tone down the bright tiles with a wash of gray.

 
Continuing more of the stonework, I shape up the bowl of the fountain, put the right step in, and add more greens to the stone. For this, I use the technique called "scumbling." After I fill my brush with paint, I wick off excess water on a paper towel, and then hold the brush on its side as I drag it across the paper. I let the 300 lb. thick rag Arches watercolor paper do the rest. You can see the results on the stone steps.