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Showing posts with label painting technique. Show all posts
Showing posts with label painting technique. Show all posts

Friday, January 9, 2015

Art Demo Video - Alstroemeria Lily Flower Watercolor Painting

I've finally finished my Alstroemeria Lily Flower Watercolor Painting!

https://www.etsy.com/listing/215776678/pink-alstroemeria-lily-flower-painting?
 
As you can see from the blog post below, it looks similar, but certainly a lot of "fine tuning" has taken place. One of the main things that I did was deepen the dark pinks of the shadows and put more golds and yellows into the petals. Whenever dark colors are made even darker next to light ones, like on the far right petals, it makes the flower "pop."
 
I also properly defined the stems below the flowers. Once they were in, I was able to put shadows and a dark background to give depth and drama.
 
For the background on the left, I used more layers of ultramarine blue and burnt sienna next to the flower to "push" the flower image forward, also creating greater depth. In the video below, you can see that cross-hatching watercolors can create a rich, deep background that makes the subject of the painting POP! I learned many of my techniques from renowned artists, including Ann Abgott. 
 
If the video below does not function (I've had a lot of trouble with this!), please click on this link. www.youtube.com/watch?v=rVpEN6Iw9pM 
 
If you like this, please share this post with family and friends!
 
 
 

Wednesday, August 28, 2013

Boy Child Play in Park Painting - Finished!

 
© 2013 Barbara Rosenzweig, Watercolor Painting
11x14 matted to 16x20 $52
8x10 matted to 11x14 $37
sold matted for standard size frames
 
I just love painting children! After chasing this fast-moving tyke all over historic Philadelphia's Rittenhouse Square Park, I finally stopped and found him on his tippy-toes trying to reach into the water fountain!

In my earlier posts, you saw the process and techniques of laying out all of the parts of the painting. This is the most challenging and time-consuming part -bringing the painting to life!


 
My first task was to add layer upon layer of greens and hematite black (a granulating watercolor paint that is perfect for stone) to all of the stone work. This creates depth and a sense of age.
 
Next, I had to create the copper trim around the water fountain with its lovely turquoise patina. I used some unlikely colors - maroon, purple, burnt sienna, blue, and yellow, until they gave me the result that I was looking for. I had to be careful to leave the white of the paper showing where the light hit the copper.
 
Then on to the little boy! Here, you can see that I lightened the crown of the head to bring out his white blond hair in the sun. Around the back of his uplifted head, I darkened the hair where it would be in shadow.
For the shirt, I added thin, short lines of purple into the stripes to give it more punch. Also, adding pale blue and purple in the shadows in the folds made the shirt look like it was twisted on his body.
 
For the jeans, I used a variety of blues, as well as purple, to build up the color, darkening in the folds and lifting the color where the light hit the tops of the folds. To "lift" color, I use a slightly moistened thin brush, gently stroking the area where I want the color removed. The I use a clean paper towel to blot the spot. I used this technique for the stitching around the pockets and the seams.
 
 
Next, I needed to correct the right foot. It looked like it was flat on the ground, but the heel should be lifting. I changed the angle of the heel, shortened the toe, and darkened the shadow below it closest to the heel. As you read this, you can see from the photo above if any of these changes improved the painting.
 
Now for a decision. When I saw the little boy at the fountain, he had a ball in his right hand. Although I did start to paint it, I felt that it didn't add anything to the painting. I decided instead to make his hand grasp onto the rim of the water fountain appearing as though he was really trying to pull himself up.
 
Now for the final step! Once the wall above the fountain was sufficiently mossy and "aged," I added the lettering that appeared there, "Drinking Fountain erected by Flower Market Association 1921."
 
I hope that you enjoyed and learned about the many decisions, techniques, and choices that I make throughout this process. Painting for me is both a challenge and a joy!
 

© 2013 Barbara Rosenzweig, Watercolor Painting
11x14 matted to 16x20 $52
8x10 matted to 11x14 $37
sold matted for standard size frames



Size
 

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Tuesday, August 20, 2013

Child Watercolor Painting Process "Boy Reaching" - Continued

CAUTION !!!
You are about to see a painting in its adolescent stage! Beware! You will be seeing the good, the bad, and the ugly! View at your own risk! Hope that you enjoy seeing this daunting process.

 
 
Once I decided on the portion of the photo that would be most effective for this painting, I lightly sketched in the important details. Now I take the plunge and put paintbrush to paper.
 
I started by lightly painting in the background and the boy to get a sense of the colors I would be using. Next, I started on the tile floor. Here, I used richer colors that will eventually be toned down.
 
 
Still in the preliminary process, I start to refine the hair, shirt, pants, and sneakers, as well as lay in some turquoise for the beginning of the copper patina on the drinking fountain.


 
Here's where it starts getting UGLY! I'm laying in colors for the stone wall with its green algae.

 
As you might have guessed by now, I am very slow and deliberate in my painting process. It takes me a long time to complete a watercolor to my satisfaction. At this point, I am nowhere near being done. Once all of the colors are "in," the refining begins. There must be "dark darks" and very "light lights" to make the painting have depth. Once these "values" are established, I can attend to the most difficult and time-consuming part, adding all of the minute details.
 
Can't wait to hear from you!